Victor Bicycles - 1899
VINTAGE FRENCH POSTER - GICLÉE PRINT
This vintage poster is an example of "Affiche
Artistique" produced by Will Bradley for the Overman Wheel Company titled
"Victor Bicycles". The design was published in 1899.
Dimensions: 24" x 16"
Item# |
Title |
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Shp Wt |
Price |
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1W-ART-168-1 |
Victor Bicycles, 1899 |
Archival Paper |
2 lbs. |
$29.95 |
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1W-ART-168-5 |
Victor Bicycles, 1899 |
Repositionable Peel & Stick Fabric* |
2 lbs. |
$39.95 |
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*Peel & Stick: Repositionable
self-adhesive fabric that resists water, wrinkles and tears.
Can be repositioned with ease without damaging walls. No
need for screws, tape or push-pins, simply peel and stick. |
Artists in the late 1800s found
opportunities to present their work to the masses through advertising art
that began to appear as billboards and posters, plastering the streets of
Paris. “Affiche Artistique” was the term that the French used to describe a
poster that contained artistic expression. The art was so impressive
to the public, people began to collect the posters as soon as they went up,
which is why they are so scarce today. Artists such as Henri
Toulouse-Lautrec, Alphonse Mucha, Jules Chéret, Théophile-Alexandre
Steinlen, Pierre Bonnard and Eugène Grasset contributed to the creative body
of work that became what some called “a free museum for the masses”.
The craze for collecting these examples of modern art was even given the
name, "affichomanie", meaning “artistic poster mania”. Collectors today pay
hundreds, if not thousands for original prints of these rare posters.
We offer these exceptional vintage poster reproductions in
the highest possible print quality. Superior to most reproductions
currently available on the market, our gallery quality prints are suitable
for display in an art gallery or museum. We begin with an ultra high
resolution scan of the original artifact which we leave untouched, leaving
intact the slightly distressed vintage character desirable in a collectible
piece of this era. Our state of the art, giclée reproduction process
uses the latest technology: microscopic droplets of ink that render such a
high resolution, that every minute detail of the original is intact.
Every pen line and brush stroke is visible. Even very faint pencil
lines are also visible due to the incredibly high quality of the
reproduction process. Our 8 color, archival quality inks and giclée
printing process provide the most accurate color reproduction & are proven
to last over a hundred years. Posters are available printed on museum
quality archival paper or on repositionable media that allow you to plaster
your walls with the “Affiche Artistique”, just as they were originally
intended to be displayed.
About the artist:
Will H. Bradley
American, (1868 – 1962)
Will Bradley was born in Boston,
Massachusetts. His printing skills took shape after his father died
and he moved to Ishpeming, Michigan were he was taken on by the “Iron
Agitator” as a printer’s devil. Bradley later worked for the J. Manz
engraving company in Chicago and the Rand McNally Company. He then
began work as a printer for the Knight & Leonard Printing Company before
setting out on his own as a freelance designer. His cover designs for
the American publication “Inland Printer” were quite popular. His
typeface design of the Chistmas 1895 issue was picked up by the American
Type Founders. They licensed the lettering design calling it “Bradley”.
Bradley’s posters were exhibited
internationally in the late 1800s. He designed and printed several
books and established the Wayside Studio. From 1903 until 1905 Bradley
served as art director for the American Type Founders, designing typefaces,
borders and ornaments. In 1910 he established Will Bradley Studios,
concentrating on magazine covers. Bradley designed covers and
typographic layouts for “Century” magazine. He designed typefaces for
“Delineator” magazine and “Hearst’s International”. He also was an art
director for early William Randolph Hearst films as well as numerous
independent films.
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